Enter the Enigmatic World of Stuplex

Bido Stuplex


17 September 2015 – Article from Bido Lito by Damon Fairclough

There are few places more potent than a pub on a weekday afternoon. I don’t mean your local Wetherspoon’s with its filter coffee and discount curries and aroma of unbranded disinfectant. I mean those pubs that you glimpse from the corner of your eye – that exist just beyond daylight, round corners, down alleys. Despite three decades of stuttering regeneration, a few of them still exist in this city and when you find one, you might just overhear whispers of projects and plans that are certain, no messin’, to change the world.

Take Stuplex for instance. Conceived in the Roscoe Head a couple of years ago, Stuplex is the product of an afternoon booze-fuelled pub chat that didn’t just fade on the stale breeze, but remained rattling round in its progenitors’ minds until they couldn’t help but do something about it. Those progenitors were the writer A.E. Pearsall and Liverpool music legend Paul Simpson, and though Stuplex began as little more than an intriguing title and a collection of shared ideas, it wasn’t long before it became one more fascinating artistic product to emerge from Liverpool’s postmeridian pub world.

All of which might help you understand its context, but it won’t tell you what it actually is. So let’s attempt a description. Stuplex is a publication, but one that can take many forms. It features writers, artists, musicians and more who all help put it together by hand – stitching booklets, burning CDs, making prints – before everything is combined in a sealed box and published in a limited edition. You can buy copies of Stuplex online – or from the occasional art market or print fair – but once they’re gone, they’re gone. Stuplex 001 sold out long ago, but you may find a copy of 002 on their website if you’re quick.

Each edition of Stuplex has a theme, with contributors free to take the idea where they want. Stuplex 001, built round the concept of ‘decay’, featured stories, poetry, prints, a CD and a magic spell. The second edition, themed around ‘decadence’, is bigger, a little more lavish, and includes photographs, envelopes, and a gleaming golden cassette.

For the writer Jeff Young, whose work often explores the mildewed corners of memory, Stuplex is a natural repository for his words.

“As someone who collects limited edition small press books and pamphlets, and as a great admirer of Joseph Cornell’s box art, I had the feeling that Stuplex would be something I’d buy if I saw it in a bookshop,” says Young. “That was enough for me to want to be part of it.”

Young inadvertently helped conjure Stuplex into existence when he introduced the co-founders to each other back in 2013.

“Paul Simpson of Wild Swans repute and I meet once a week for a catch-up and a glass of wine. I introduced him to writer and artist A.E. Pearsall, who had been a student of mine on the Writing MA at John Moores, and when they hatched a plan for a series of limited edition boxes, I was invited to write a piece for the first one.”

That piece was 23 Proposals for Decay Magic, a curious incantation designed to “encourage a state of decay” according to Young. His second Stuplex contribution was 23 First Lines of Decadent Novels I Will Never Write, at which point it becomes clear that Young has an apparent fixation on the number 23 – and knowing a little of the way his mind works, I somehow doubt that it’s simply his favourite National Lottery ball.

In fact, Young’s reference point is the 23 enigma, a phenomenon that a number of writers and artists have cited over the years, from William Burroughs to Psychic TV to Bill Drummond. Put simply, it refers to the belief, or at least the observation, that many curious events, both significant and obscure, are connected to this innocent-looking arithmetical value. For Jeff Young, it was something to ponder on rather than swallow whole, but nevertheless, it still proved an enduring idea.

“I first came across it in the mid-1970s from various places – Ken Campbell’s Science Fiction Theatre of Liverpool, which would have led me to Robert Anton Wilson’s Illuminatus! Trilogy, which I would have picked up in the original Atticus bookshop on Clarence Street, and about the same time I’d have been buying William Burroughs paperbacks. I liked the idea that these worlds were overlapping and it all coloured my sense that Liverpool had an occult, counter-cultural aspect to it. I didn’t actually believe in the power of the number 23 but I liked the idea of it.”

It may be no surprise then that the third iteration of Stuplex won’t be a multi-author extravaganza like the first two, but will be the publication of Jeff Young’s 23 Enigma Vortex Sutra in a limited edition of 230. The work is a journey through 23 verses describing incidents and events, both real and half-imagined, in which that fate-bothering number seems to cast a mysterious, unsettling spell. Half the copies will consist of the text in pamphlet form, while the other half will also come with a CD of the piece recorded at the Everyman Theatre last October. Read by Young and the actor Penny Layden, the recording also features live music by the Liverpool-based composer Martin Heslop.

23 Enigma Vortex Sutra was first commissioned by the Everyman for an event called Radical City,” says Young. “When my play Bright Phoenix was on at the Everyman last year, it seemed right to regroup and perform 23 Enigma again. We performed it at 23 minutes past 23 hundred hours on October 23rd. It has always been accompanied by music, and it was always Martin who created it. We have similar tastes, interests and influences and we’re close friends too. That closeness provides us with a mix of instinct, intuition and spontaneity. The man is wondrous.”

According to Heslop, it was the original 23 Enigma commission that brought him and Young together.

“We realised quite quickly that artistically we had similar reference points,” he says. “Since then we’ve worked on all kinds of things – live art installations, spoken word and music, and various theatre shows. Jeff’s themes and imagery, like mine, are submerged in the city as a dangerous, magical fairground full of cracks where forgotten spirits roam. He always finds a way of coaxing them out of the cracks and giving them back their lives on the page.”

Just like Young, Heslop has also contributed to every manifestation of Stuplex thus far, though as a poet rather than musician.

“I love writing music but words are my main obsession. I see each piece of work as crossing over into the next one anyway, whether that’s music, poetry or prose. You can describe war or the city or the sea with words or sounds or music, and it’s all one and the same.”

Young and Heslop are both currently conjuring phantoms around Liverpool – Heslop as composer for Lizzie Nunnery’s play Narvik at the Playhouse Studio, and Young in a number of small-scale pieces including a response to Niamh O’Malley’s Bluecoat exhibition in October. But keep your third eye open for Stuplex 003 too, and dose up on 23 Enigma Vortex Sutra. Then go out for an afternoon pint and a chinwag.

Perhaps the 23 Club would be a good place to start.


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Boxing Clever: The Art of Stuplex




8 July 2015 – Article from Northern Soul by Damon Fairclough


Think of a box. Now imagine what’s inside.

Whether you picture something as prosaic as your Abel & Cole veg delivery or as magical as a baby unicorn watching a David Blaine DVD, it’s a creative challenge that probably provokes as many different responses as there are people reading these words.

There’s just something about boxes and their infinite potential contents that has the power to fire the imagination. Invite an artist to place an unspecified ‘something’ in a box and interesting things are sure to follow. Give them a theme and make multiple copies in a limited edition and suddenly you have a very intriguing project on your hands. Call it something unusual, sell it online, and by now you have…

Well, by now you have Stuplex.

Like Lister from Red DwarfStuplex was born in a Liverpool pub. However, unlike Lister, Stuplex isn’t fictional. It has moved well beyond the lifespan of most pub-based ideas to become a living, breathing project involving a number of writers, artists and musicians from the city. At which point, I must declare an interest: I’m one of them. Between us, we have conceived, constructed and created two editions of Stuplex so far; the first was published in May 2014 while the second was launched at the Everyman Bistro at the end of June.

Read more . . . . 


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002 – Decadence

STUPLEX – 2nd Edition

002 Decadence – 1 July 2015

100 Copies Only

Signed and numbered


GOLD ON RED – C6 Cassette featuring:

HARRY NILSSON’S VOICE – Lizzie Nunnery and Vidar Norheim


Curated by Alan Dunn – alandunn67.co.uk/goldonred.html

THE INDULGENCE PASS – Damon Fairclough

ALPHA-BETA – David Hering

RAPT – Martin Heslop







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001 -Decay

STUPLEX – 1st Edition

001 Decay – Spring 2014

50 Copies Only

Signed and numbered

Stuplex is an evolving collaborative project, produced informally in themed editions and varying formats.


COMMON SENSE IN DECAY: A Sensory History of the Brain – Geoff Bunn

GREEN ON RED – Alan Dunn

STILL HOT – Damon Fairclough


FOUR EXITS – A. E. Pearsall

YOUNG GUNS GO FOR IT – Will Sergeant

PERMAFROST – Paul Simpson


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